While perhaps a little bit more rambling and less focused than his American solo debut Introducing Ruben Gonzalez, this album nonetheless presents some lush piano arrangements supported by mellow Cuban percussion. Gonzalez is an extremely fluid player and his sometimes complex improvisations seem to constantly come off without a hitch, which is amazing considering that he is in his eighties. The songs range from sweet and light to more passionate and forceful, but throughout, Gonzalez's unique sense of joy shines through. This album also features a brief appearance from vocalist Ibrahim Ferrer, who gained fame with Gonzalez through his work with the Buena Vista Social Club. That project has spawned a number of albums which, surprisingly, have nearly all been quality productions. This recording is certainly not the exception to the rule.