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Main » 2010 » February » 5 » Mady Mesple Nicolai Gedda - Airs Et Duos D'Operas(2CD, 1996)
23:23
Mady Mesple Nicolai Gedda - Airs Et Duos D'Operas(2CD, 1996)

EAC - APE - No Covers
rip&rel by GenderBender

Classical / Opera
APE
EAC v0.95b4, secure, no cache, no C2, MAC 3.99
602 MB

Quote
Mady Mesplé (March 7, 1931) is a French opera singer, the leading high coloratura soprano of her generation in France, sometimes heralded as the successor to Mado Robin.

Mady Mesplé was born in Toulouse, France, and studied piano and voice at the music conservatory of her native city, graduating with a gold medal. She played the piano in a local ballroom orchestra for a while, and later left for Paris for complementary voice lessons with French soprano Janine Micheau.

Mesplé made her professional debut in Liège in January 1953, as Lakmé, a role to which she remained closely associated throughout her career, singing it an estimated 145 times. Lakmé was also her debut role at La Monnaie in Brussels in 1954. She quickly established herself in the standard lyric and coloratura roles of the French repertoire, such as Olympia in Les contes d'Hoffmann, Philline in Mignon, Leila in Les pecheurs de perles, Juliette in Roméo et Juliette, Ophélie in Hamlet, Dinorah, Manon, Sophie in Werther, etc.

She made her debut at the Aix-en-Provence Festival in 1956, as Zémire in Grétry's Zémire et Azor. The same year saw her debut at the Opéra-Comique as Lakmé. Her Palais Garnier debut took place in 1958, as Constance in Francis Poulenc's Dialogues des Carmélites. Full consecration came at that opera house, in 1960, when she took over Joan Sutherland in a new production of Lucia di Lammermoor. Other Italian roles included Amina in La Sonnambula, Rosina in Il barbiere di Siviglia, Norina in Don Pasquale, Gilda in Rigoletto. She also sang a few German roles with success, notably the Queen of the Night in Die Zauberflöte, Sophie in Der Rosenkavalier, and a much-acclaimed Zerbinetta in Ariadne auf Naxos in Aix-en-Provence in 1966.

Mesplé also enjoyed a successful career abroad, appearing at the Bolshoi Theater in Moscow, the Royal Opera House in London, La Scala in Milan, the Metropolitan Opera in New York and Teatro Colon in Buenos Aires.

During the 1960s, Mesplé appeared frequently on French television and started exploring works by contemporary musicians. Charles Chaynes composed his Four Poems of Sappho for her, and in 1963 she premiered Gian Carlo Menotti's French version of his opera The Last Savage. She was also the first to sing the French version of Hans Werner Henze's Elegy for Young Lovers in 1965, and Pierre Boulez chose Mesplé for his performances of Arnold Schoenberg's Jacob's Ladder.

During the 1970s she added operettas to her repertoire, especially by Jacques Offenbach, such as La Vie Parisienne, Orphée aux enfers, and La Grande-Duchesse de Gérolstein, opposite Régine Crespin.

Mesplé retired from the stage in 1985 and turned to teaching at L'École Normale de Musique in Paris and at the Music Conservatory of Lyon. She also gave master classes and acted as judge in many voice competitions around the world.

Mesplé left an impressive discography, encompassing recitals of opera, operetta, and melodies, complete opera and operetta recordings, some of rarely performed works such as Auber's Fra Diavolo and Manon Lescaut, Charles Lecocq's La fille de Madame Angot, Robert Planquette's Les cloches de Corneville, Louis Ganne's Les saltimbanques, André Messager's Véronique, Reynaldo Hahn's Ciboulette, etc. However, it is her recording of Lakmé, opposite Charles Burles and Roger Soyer, under Alain Lombard, that will forever be remembered.

The archetype of the light French coloratura soprano, Mady Mesplé was noted for her technical security, her musical refinement, and her amazing upper register extending easily to high A-flat, as well as her charming stage presence.

Tracklist:
CD 1

1) "Gounod Romeo & Juliet"
2) "Delibes Lakme Air des Clochettes"
3) "Delibes LAkme Tu m'as donne le plus doux"
4) "Thomas Hamlet Scene et air de la follie"
5) "Thomas Mignon Recit et polonaise: 'Ah! pour ce soir ...Je suis Titania la blo..."
6) "Massenet Manon Air d'entree de Manon"
7) "Massenet Manon Air du Cours de la Reine"
8) "Bizet Pearl Fishers Recit et cavatine: Me voila seule"
9) "Offenbach Les Contes d'Hoffman Chanson d'Olympia"
10) "Donizetti Lucia di Lammermoor Scene et air de Lucia"
11) "Verdi Rigoletto Scene et air de Gilda: Caro Nome"
12) "Rossini La Pie Voleuse: Cavatine de Ninetta"

CD 2

1) "Recantif et romance de Giulietta: 'O quante volte' (I Capuleti ed I Montecchi)"
2) "Scene et air final d'Amina: 'Ah! non creadea mirarti' (La Sonnambula)"
3) "Cavatine de Rosine: 'Una voce poco fa' (Le Barbier de Seville)"
4) "Duo Rozenn-Mylio: 'Cher Mylio... A l'autel j'allais rayonnant' (Le Roi d'Ys)"
5) "Duo de la rencontre: 'J'ai marque l'heure du depart' (Manon)"
6) "Duo Leila-Nadir: 'Leila! Leila! Dieu puissant le voila' (Les Pecheurs de perles)"
7) "Duo Marguerite-Raoul: 'Beaute, divine enchanteresse' (Les Huguenots'"
8) "Madrigal: 'Ange adorable' (Romeo et Juliette)"
9) "Duo Mireille-Vincent: 'Vincenette a votre age' (Mireille)"
10) "Duo: 'Viens, suis un epoux qui t'adore' (Orphee et Eurydice)"

Code
Plik sprawozdania ze zgrywania programem EAC z 30. Października 2007, 19:51 dla płyty
Mesple, Mady / Opera Arias & Duets CD1

Użyty napęd: ASUS DVD-E616P2 Adapter: 1 ID: 1
Tryb odczytu: Pewny BEZ C2, z dokładnym strumieniem, BEZ wyłączenia buforowania
Korekta położenia dla odczytu: 738
Nadczytywanie w obszarach LeadIn i LeadOut : Nie

Użyty format wyjściowy: Wewnętrzne procedury WAV
44.100 Hz; 16 bitów; stereo

Inne opcje:
Dopełnienie ciszą brakujących przesuniętych próbek : Tak
Usuwanie początkowych i końcowych bloków ciszy : Nie
Wewnętrzny interfejs Win32 dla Windows NT i 2000

Stan i błędy zakresu
Wybrany zakres
Ścieżka pliku E:\Audio\Mady.Mesple.Nicolai.Gedda.-.Airs.Et.Duos.D'Operas.APE.EAC.rip.by.GenderBender\cd1\Mesple, Mady - Opera Arias & Duets CD1.wav

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Jakość zakresu 100.0 %
Suma kontrolna 572AE662
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Plik sprawozdania ze zgrywania programem EAC z 30. Października 2007, 20:06 dla płyty
Mady Mesple / Airs et Duos d'Operas

Użyty napęd: ASUS DVD-E616P2 Adapter: 1 ID: 1
Tryb odczytu: Pewny BEZ C2, z dokładnym strumieniem, BEZ wyłączenia buforowania
Korekta położenia dla odczytu: 738
Nadczytywanie w obszarach LeadIn i LeadOut : Nie

Użyty format wyjściowy: Wewnętrzne procedury WAV
44.100 Hz; 16 bitów; stereo

Inne opcje:
Dopełnienie ciszą brakujących przesuniętych próbek : Tak
Usuwanie początkowych i końcowych bloków ciszy : Nie
Wewnętrzny interfejs Win32 dla Windows NT i 2000

Stan i błędy zakresu
Wybrany zakres
Ścieżka pliku E:\Audio\Mady.Mesple.Nicolai.Gedda.-.Airs.Et.Duos.D'Operas.APE.EAC.rip.by.GenderBender\cd2\Mady Mesple - Airs et Duos d'Operas.wav

Poziom wysterowania 93.3 %
Jakość zakresu 100.0 %
Suma kontrolna 8E135480
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Category: Classical | Views: 912 | Added by: Rat | Rating: 0.0/0
Total comments: 1
0   Spam
1 luciadiva   (22.03.2012 14:34)
hello~ this file has password.
do u know what is it?
if u know, could you plz info me,
thank u:)

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